The culprit of the stage rollover has been found! How many live performances have been saved by the in-ear wireless monitoring microphone?

Why are many singers always out of tune and can't keep up with the beat?
People who often watch offline performances, parties and Shang Yan stage will have a doubt:
Obviously, the recording studio sings like a CD, and when it comes to the stage, it goes out of tune, grabs the beat, and beats slowly;
The drummer couldn't keep up with the rhythm, the lead singer couldn't hear his voice clearly, and the whole performance overturned.
Many people think that the singer's strength is not good. In fact, 90% of them are due to the poor listening environment on the stage.
The roar of the oversized echo speakers, the noise of the audience and the harsh noise of musical instruments filled the whole stage, and the actors could not hear their own voices and accompaniment at all.
Now the standard in-ear wireless monitoring system+wireless microphone on professional stage completely solves the biggest pain point of stage performance.

Today, I don't talk about civilian headphones, just talk about special in-ear monitoring for professional stage.

1. How many pits are there in the old-fashioned stage? Old musicians know despair.
In the early years, there was no in-ear monitoring, and the stage relied entirely on the ground to listen to speakers and perform with wired microphones. There were countless bugs on the scene:
1, serious howling, stage noise explosion
The sound released from the ground speaker will be picked up by the handheld wireless microphone again, forming a sound wave cycle, and there are frequent harsh screams at the scene, and the performance is directly interrupted. Andhadhun can't save it.
2. The listening position is limited, and the actors dare not walk around at will.
Only by standing in front of the echo speaker can you hear the accompaniment and your own voice clearly. Actors can't walk and interact, and the stage performance is rigid and has no sense of stage atmosphere at all.
3, the noise is mixed, and the vocal accompaniment is completely turbid
On the stage, the sound of guitar, bass and drum instruments is mixed with the cheering noise of the audience, the sound of the external speakers is chaotic, the singer can't distinguish the accompaniment beat, can't hear his own breath and intonation, and it is normal to go out of tune.
4, wired constraints, stage activities are completely limited.
In the early days, the wired microphone and wired monitoring wires were messy, and the wires on the stage were easy to trip the actors, which had great security risks and could not be adapted to the large-scale tour.

Second, in-ear stage monitoring debut: one person and one exclusive listening space
In-ear stage monitor headphones (IEM) is not a product at all with ordinary earphones for listening to songs. It is a special listening tool for the stage, and its core logic is simple: isolate the noise of the audience and create an independent and quiet listening room for the actors.
1. Passive physical sound insulation: isolate 90% of the environmental noise of the stage.
The special closed ear cavity is matched with sound-proof earplugs, which can physically shield the cheers under the stage, the roar of musical instruments and the noise at the scene without electrifying and reducing noise. After the actor put it on, the noise outside was greatly reduced, and only the exclusive monitoring audio was clearly received.
Different from civil earphones: stage monitoring does not render bass and beautify human voice, but restores real human voice and accompaniment, which is convenient for singers to correct pitch and breath in real time.
2, completely put an end to stage howling
No longer rely on the external speaker to listen back, the microphone will not pick up the monitoring sound, eliminating the most troublesome howling problem on the stage from the root, and the audio of the whole performance is clean and noiseless.
3, free full-court walk, not limited by position.
With the wireless transmission scheme, the actors can run, interact and walk at will in the whole audience, and they can stably hear the same accompaniment and vocals at any position on the stage, and the freedom of performance is full.

Third, many people misunderstand: Why can't the stage monitor headphones be replaced by ordinary Bluetooth headphones?
Many small Shang Yan plans save money and directly use civilian Bluetooth headsets as stage monitors. The rollover rate is 100%, and the gap is clear at a glance:
1. The delay is very different: ordinary Bluetooth has a high delay, and the voice returns slowly by half a beat, and the more the singer sings, the more chaotic it is; The delay of professional stage monitoring is controlled in milliseconds, which is completely insensitive.
2. The sound quality orientation is completely different: the civilian headphones are mainly good for listening, tuning and beautifying; Stage monitoring focuses on the original sound restoration, without modifying defects, which is convenient for singers to correct mistakes in real time.
3. Anti-jamming ability is not at one level: the stage is densely packed with wireless devices, and ordinary Bluetooth is easily disconnected by crosstalk; Professional wireless audio channels are independent, and no matter how many devices are on the same stage, they will not interfere with each other.
4. Different wearing firmness: the stage jumps and runs greatly, and ordinary Bluetooth headphones are easy to fall off; In-ear stage monitoring comes standard with ear hook design, which will not fall off during strenuous exercise.

Fourth, the current core trend of stage wireless audio
Nowadays, large and small parties, Shang Yan, live bands and outdoor roadshows have completely eliminated the ground listening speakers, and the whole people have popularized in-ear wireless monitoring:
1. Integrated integration is becoming more and more popular.
There are more and more integrated devices for microphone transmitting, monitoring and receiving. One set of devices can simultaneously receive and listen, which simplifies the stage wiring and reduces the difficulty of tuning.
2. Automatic adaptation of intelligent scene noise reduction
The system automatically identifies three scenes: indoor theater, outdoor outdoor and windy field, and automatically adapts to the microphone wind noise suppression and monitoring sound insulation intensity without manual debugging by Andhadhun.
3. One-on-one multi-team monitoring popularization
A receiver synchronously transmits synchronous monitoring audio to the lead singer, harmonies and musicians, and the beat of all members is unified, and the band cooperates with zero mistakes.

Have you ever seen a live performance? Have you ever heard the harsh howling of the stage?
Friends who do performances and play bands, have you ever encountered a stage accident with delayed monitoring and cross-talk of microphones? Talk in the comment area!